December is a special time of year. One of the most enjoyable parts is Peter Ilyich Tchaikovsky’s ballet, The Nutcracker.
I read my classes Susan Jeffer’s adaptation of the story as an introduction to the story. Here is a link to the book.
Note for Grownups: I do edit the story, removing the last page or two, ending when Marie awakes, as it aligns better with the Baryshnikov version of the ballet. I also verbally change the word ‘godfather’ to ‘uncle’ during the reading. An important point to make is that the story takes place in Winter, when many cultures around the world celebrate important holidays like Kwanzaa, Hannukah and Christmas. There are also other holidays that are celebrated at other times of the year, similarly to these Winter holidays, like Eid, (thanks, Rian, for explaining that to me).
Even though the family in this story celebrates Christmas, any other holiday could be substituted without changing the gist of the story much and a story is much more meaningful when it includes something that a child can relate to personally.
Be sure to emphasize the literary concept of showing and not telling in the context of Marie’s falling asleep being the beginning of her dream, which is what the rest of the ballet is. This, along with a reminder that most of the characters are inspired by the toys and puppet show of the party, are particularly helpful for children that get scared of the mouse king.
Table of Contents
There’s a lot of stuff here, so use these links to skip to wherever you left off. My suggestion would be to do one each day, except the ballet, which you could split into two days.
If you do watch the ballet, make sure to take advantage of the opportunities for movement. The ballroom scenes are wonderful for this as well as the other ensemble dances, (snowflake, mouse, etc). Even some of the individual dances are great for mimicry. Marie’s dance with the nutcracker doll after receiving it is a great opportunity for this.
Note to Grownups: Watching the ballet each year opens an opportunity to prompt the students to reassess their interpretation of the ballet, both in story and dance. I explain to them that a 2nd grader’s eyes and brain are different from a 1st grader’s or Kindergartener’s. I prompt, for example, 2nd-grade students to be aware of this difference and notice it. One scene where this is obvious is when the toys dance. Kindergarteners will debate whether the dancers are ‘real’ or dancing toys. 2nd graders see them for what they are and are beginning to be capable of appreciating the skill of the dancers. This is an important connection for them.
Order of Dances and Times in the Video
1. Overture [1:36] 2. Introduction - Start of Act I [3:10] 3. March of the Wooden Soldiers [6:44] 4. 1st Doll Dance [1:02] 5. 2nd Doll Dance [1:23] 6. 3rd Doll Dance [2:25] 7. Nutcracker Dance [6:25] 8. Mice & Soldiers [12:25] 9. Snowflake's Dance [6:23]
During the viewing, there are several opportunities for students to get up and move.
Opportunities for movement (dance mimicking the dancers on screen): 6:30 -> 9:00 (Ballroom Dance) 16:30 -> (Nutcracker Dance) 19:55 -> 21:15 24:00 -> (Mouse Dance) 36:30 -> 40:30 (Dance of the Snowflakes) 48:30 -> 50:15 (Chinese (Sweet) Tea) 50:30 -> 52:50 (Dance of the Jesters) 58:30 -> 61:00 (Dance of the Flowers, Watch beginning)
Duke Ellington's Arrangement
Spend some time exploring Duke Ellington’s version of The Nutcracker. It is a very significant work for several reasons. When Ellington and his writing partner, Billy Strayhorn, decided to arrange The Nutcracker, it was an attempt at making the work relevant for modern audiences. After all, the popular music of the time was Jazz.
However, the aspect of this rendition that I focus on is that it is a Jazz rendition of The Nutcracker. Jazz is a very important music culturally in America. Jazz was first developed in New Orleans in the early 20th century by immigrants from France, Spain, Africa, the Caribbean and other places around the world. This is truly something that could only happen in America, with its population of immigrants. Jazz is a true musical expression of the American “melting pot.” Because of this, Jazz is widely considered the sound of freedom.
Comparing Tchaikovsky with Ellington in the context of The Nutcracker goes deeper than simply analyzing music. The cultural relevancy must also be explored. To help students do this, I will ask students in 2nd grade and up to use this worksheet to organize their ideas and express them in a written mode.
Reverend Dr. Martin Luther King, Jr. was a man who fought for equal rights, peace and justice. His life was spent in working toward those goals, for which we still work toward today.
The song for today uses a line from his most famous speech for the words. You can watch a video about this speech at the end of the lesson. I even included a video of him actually giving the speech. Be sure to watch those.
Martin Luther King, Jr. was a very important man that you should know about.
This song probably dates back to the 16th century though its origins are obscure. We do know that it is from England and was a favorite of carolers who went from door to door at Christmastime, soliciting food and drink in exchange for their harmony.
In the song, the words tell the story of a group of carolers that go to a house where nobody is home. So what? Well, if there’s nobody home to sing for, the singers won’t make any money, and so can’t afford to buy meat or drink.
Babatunde Olatunji was a renowned drummer, Civil Rights activist, and educator who is largely credited for popularizing West African drumming and Afrobeat music in the US. Born in Ajido, Nigeria in 1927, Olatunji was the recipient of a Rotary International Foundation scholarship, and immigrated to the US in 1950. He studied in Atlanta, GA, and then came to study in New York City in 1954. Later, Olatunji formed a band with other African students and expatriates, and they were popular performers across NYC. In 1957, he and his band performed at Radio City Music Hall; two years later, Olatunji released his album Drums of Passion, the first track of which is “Akiwowo.”
Olatunji continued to be active both as a musician and an activist. He toured with Dr. Martin Luther King, Jr., participated in the March on Washington, was featured at John F. Kennedy’s 1961 inauguration ceremony, and performed for the United Nations General Assembly. In 2004, Drums of Passion was officially added to the National Recording Registry in the Library of Congress.